Tim Pickerill is an audio video specialist with 25 years experience working in dance, theater, art galleries and museums in all aspects of production. I am experienced in videography, video post-production, live-streaming, design, and installation including projection mapping; live audio engineering (Soundcraft, DigiCo, & Yamaha soundboards), post-production, and installation; art handling and installation. I have been a designer and supervisor providing technical direction, production management and assistance for performance art, dance, music and theater in San Francisco, New York and Europe. I am experience with using Crestron, Isadora, MadMapper, Wirecast, QLab, BrightSign authoring, and Adobe post-production suite. I am also comfortable with rigging, forklifts, genie-lifts, and scissor lifts.
Education: San Francisco State University, Multimedia Art / Video Anthropology
- Audio Video Installations, Programming and Operation
- Mitchell-Innes & Nash, New York
- Fridman Gallery, New York
- Whitney Museum of American Art, New York
- Local 306 (Projectionist Union), New York
- Artists Space, New York
- Issue Project Room, New York
- Friedman Benda Gallery, New York
- Museum of Modern Art, New York, 2016-2018
- Sculpture Center, New York, 2016
- Andrea Rosen Gallery, New York, 2016
- Metropolitan Museum of Art, New York, 2015-2018
- The Guggenheim Museum, New York, 2014
- New City Video, New York, 2014
- Three-Legged Dog, New York, 2007
- The Kitchen Gallery, New York, 2003-2014
- Theater Artaud, San Francisco, 1995-2001
- Live-Streaming & Videography, Whitney Museum of American Art, MoMA, French Embassy, The MET
- Art Handling, Koenig and Clinton Gallery, New York; Solway Gallery (Cincinnati), at the Art Show, New York; French Embassy, New York; Bortolami Gallery, New York; The Kitchen Gallery, New York, 2003-2014
- Sound Engineer, Whitney Museum of American Art, Museum of Modern Art, Metropolitan Museum of Art, Artists Space, Kumble Theater, Brooklyn; One Dream Sound, New York; Koenig and Clinton Gallery, New York; HERE Arts Center, Orpheus, New York
- Video Designer, Hypogeum, by Emily Pope Blackman, New York
- Technical Director and Designer (video & lighting), The Incredible Disappearing Woman, by Coco Fusco, ICA - London, Haus der Kulturen de Welt – Berlin; Snapshot, by Mitzi Sinnott, New York; Descendants Of Freedom, by Andre Lancaster, New York; BRIC Studios, NY, 2002-2005; Dance Mission Theater, SF, 2000-2002; Califas 2000, by Guillermo Gomez-Pena, San Francisco
- Technical Director, Trajal Harrell Dance Company (touring), Centre Pompidou, Paris - TBA Festival, Portland – MoMA, New York - PS122, New York – ICA, Boston – Campo, Ghent – Impulstanz, Vienna - Tanz im August, Berlin, 2012-2014; Theater Artaud, SF, 1994-2000
- Assistant Technical Director, The Flea Theater, New York, 2008-2009